City Night (1926)

Georgia O'Keeffe, 1887-1986
Oil on Canvas, 30"x48", Minneapolis Institute of Arts
While best known for her large scale flowers, American artist Georgia O’Keeffe also painted a significant number of works featuring New York City buildings. She felt the skyscraper was a uniquely American symbol, and was influenced by the techniques of her husband, photographer Alfred Stieglitz. She therefore understood the distortions in linear perspective produced by camera angles. In this painting, the vertical convergence of the buildings convey a cavernous and foreboding image--the white light shines as a beacon of hope in the night, representative of her fascination with how the buildings represented the progress of civilization.
Oil on Canvas, 30"x48", Minneapolis Institute of Arts
While best known for her large scale flowers, American artist Georgia O’Keeffe also painted a significant number of works featuring New York City buildings. She felt the skyscraper was a uniquely American symbol, and was influenced by the techniques of her husband, photographer Alfred Stieglitz. She therefore understood the distortions in linear perspective produced by camera angles. In this painting, the vertical convergence of the buildings convey a cavernous and foreboding image--the white light shines as a beacon of hope in the night, representative of her fascination with how the buildings represented the progress of civilization.